{"id":3628,"date":"2022-01-07T11:35:43","date_gmt":"2022-01-07T10:35:43","guid":{"rendered":"https:\/\/journalliteratur.blogs.ruhr-uni-bochum.de\/?p=3628"},"modified":"2022-01-07T11:41:18","modified_gmt":"2022-01-07T10:41:18","slug":"image-sequencing-in-periodicals-comics-photojournalism-cineroman-and-illustrated-film-periodicals","status":"publish","type":"post","link":"https:\/\/journalliteratur.blogs.ruhr-uni-bochum.de\/gb\/image-sequencing-in-periodicals-comics-photojournalism-cineroman-and-illustrated-film-periodicals\/","title":{"rendered":"Image Sequencing in Periodicals: Comics, Photojournalism, Cin\u00e9roman, and Illustrated Film Periodicals"},"content":{"rendered":"\n

Ruhr-University Bochum<\/strong>, Germany, 20-21 January, 2022<\/strong> (online via Zoom)<\/p>\n\n\n\n

Organised by the subprojects 5, 6 and 8 of the DFG Research Unit 2288 Journal Literature, the Committee for Comics Studies and the Committee for Photography Studies at the German Society for Media Studies (GfM)<\/h4>\n\n\n\n

The premise of the workshop is that periodicals, as soon as they became capable of incorporating pictures, have been prone to display not only single, isolated pictures, but most often multiple ones; and to arrange them in typical, possibly media-specific ways. From the late 19th century onwards, photographic images have been frequently featured in periodicals: from the late 19th<\/sup> century onwards, photo-reproduction processes quickly supplanted wood-engraving. As the importance of photojournalism and, consequently, of photographic magazines such as the Berliner Illustrirte Zeitung<\/em> increased, the influential journalistic genre of the \u2018photo reportage\u2019 emerged. American comic strips, as for them, explored novel ways of \u201cjuxtapos[ing] pictorial and other images in deliberate sequence, intended to convey information and\/or to produce an aesthetic response in the viewer,\u201d as Scott McCloud famously defined. Serial novels such as Georges Rodenbach\u2019s Bruges-la-Morte<\/em> (1892) were published accompanied by a great many photographs. After the turn of the century, the ever-more popular medium of film found an ideal partner in the pages of the periodicals, to transform its moving pictures into a fixed printed form. Throughout the 20th<\/sup> century, all these forms have continued to flourish and develop, introducing new modes of serial picture display such as the photonovel or the cin\u00e9roman<\/em>\u2014up to current projects like the Revue dessin\u00e9e<\/em>, a news magazine relying solely on comics. Together, these forms raise the questions: how does the sequencing of pictures on a page\u2014and on series of pages\u2014produce meaning? How do still images narrate and produce visual discourses?<\/p>\n\n\n\n

This workshop seeks to advance the study of image sequences from a transmedial perspective. Its focus lies on the way in which the medial format of the periodical operates with regards to image sequences: how are images arranged and connected to each other? How do these arrangements and connections produce coherence, the impression of a succession and, very often, even narrative cohesion?<\/p>\n\n\n\n

Organised by<\/p>\n\n\n\n

Christian Bachmann, Universit\u00e4t Bochum<\/p>\n\n\n\n

Vincent Fr\u00f6hlich, Philipps-Universit\u00e4t Marburg<\/p>\n\n\n\n

Iris Haist, Erich Ohser – e.o.plauen Stiftung, Plauen<\/p>\n\n\n\n

Alice Morin, Philipps-Universit\u00e4t Marburg<\/p>\n\n\n\n

Jens Ruchatz, Philipps-Universit\u00e4t Marburg<\/p>\n\n\n\n

Monika Schmitz-Emans, Universit\u00e4t Bochum<\/p>\n\n\n\n

<\/p>\n\n\n\n

Please find the programme here<\/a>.<\/p>\n\n\n\n

Please contact us no later than January 15th<\/sup>, 2022 (stephan.strunz@ruhr-uni-bochum.de<\/a>) if you would like to participate in the discussion without presenting a paper. We will then also provide you with a reader.<\/p>\n","protected":false},"excerpt":{"rendered":"

Ruhr-University Bochum, Germany, 20-21 January, 2022 (online via Zoom) Organised by the subprojects 5, 6 and 8 of the DFG Research Unit 2288 Journal<\/p>\n","protected":false},"author":25,"featured_media":3621,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3628","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-allgemein"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"gb","enabled_languages":["de","gb"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"yoast_head":"\nImage Sequencing in Periodicals: Comics, Photojournalism, Cin\u00e9roman, and Illustrated Film Periodicals - Journalliteratur<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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